Florrie's been one the finest British pop songwriters for about 4 years now, always on the brink of having a major breakthrough song. I could name a dozen tracks which should have been way more successful by now.
Perhaps this is the one, lifted it would seem from her impending album, which will finally do the trick.
It's like Lana, Lorde and Banks were preparing us for this.
The new one from Eliot Sumner née I Blame Coco née Coco née Eliot Sumner née Sting's daughter.
Whereby Chlöe adds shamelessly overproduced power pop to her repertoire.
I like it.
Poliça make the best music I've ever heard.
30 yrs ago today, june 9th Time after Time went to #1 on the charts— Cyndi Lauper (@cyndilauper) June 9, 2014
This utterly disjointed performance, where Cyndi is detached and obviously under some external influence remains compelling. The song, the magnificent song, survives.
30 years since I first heard it. Happy anniversary.
Stuart Heritage, writing about the death of Rik Mayall for The Guardian:
According to an old story, Mayall once ended a typically explosive take on Blackadder by turning to the dumbfounded cast and crew and asking: “Have I won?” It had to be quietly explained to him that acting doesn’t really work like that. But the truth of the matter is that he did. Lord Flashheart burst in and out of Blackadder in an instant – kicking the doors in, thrusting his pelvis endlessly, roaring all his lines with impossible confidence and then exploding again as he made his exit. Upstaging an entire fleet of world-class comedians should have been impossible. Mayall made it look effortless.
The morning after this Blackadder episode, everyone at my school was talking about it and doing our Flashheart impressions.
You'll have your own favourite Mayall moment from the Young Ones through The New Statesman and beyond (I never heard my stepbrother laugh louder or longer than when watching Bottom), but this 3 minute scene is mine. The first time I saw it, a performance so unexpected and relentless in energy it made me laugh so much it hurt.
Well worth the wait I'd say. Another great comeback.
I want an album. I want an album.
Smoke Fairies' current eponymous album is by far their best.
On a bitter cold day in early February, AllSaints Studios and Polica met at the Wapping Power Station in East London. The aim was to create a music video for song ‘Spilling Lines’ from the quartet’s recent album ‘Shulasmith.’ As part of AllSaints' newly launched ‘London Sessions’ series, the production showcases a creative collaboration between artist and brand through music and visuals. The result is a video that speaks to Polica’s dynamic sound while remaining a distinct creation in its own right. This intimate, streamlined performance of 'Spilling Lines' is nevertheless delivered with an intensity only Polica could impose on film.
Love these stripped down versions.
Great version of a great song by a great band. Superlatives aplenty from me. Standard.
I'll say it again. I absolutely love Minor Alps.